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Watches synchronized, 12 members of the Foundations of
the Reformation snuck around campus in black clothes, faces
covered by masks early last Friday morning.
Sneaking across the Beltline just after 4:30 a.m., they
carried with them their weapons of political activism: locks.
They crouched in corners, carefully concealed from the view
of Campus Safety vehicles driving around the campus. At
4:45, they sprang into action. They worked in five groups
of two, with two people waiting in getaway cars. Each person
was responsible for locking three to six doors, depending
on the lighting in those areas and the distance between
doors. In total, they affixed 18 locks, shutting nine double-doors
in the Science Building, North Hall, Spoelhof Center and
Hiemenga Hall. The locks cost $300.
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Joel Veenstra isn’t acting yet; he’s reading.
But you might not notice, for all the verve and power
he emanates, script in hand.
“I’ll kill! I’ll kill!” he bellows,
his voice saturating the small room with its intensity.
He keeps reading, excited by the passion of Berish, the
bartender he is portraying. The smell of superheated dust
singes the air, as the few stagelights shining in the
room produce a dim bar-room atmosphere...
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Springtime at Calvin brings more than just April showers;
the college again will host a series of conferences as
part of its Seminars in Christian Scholarship.
The first conference, “Christianity as a World Religion,”
will be held next week, April 26-28. It is a counterpart
to a seminar conducted last summer on the same topic.
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Sexual Ambiguity! Drunkenness! Cross-gartered stockings!
Handcuffs!
This show has it all, including a pair of twins who cause
mistaken identity in the plot, much like in “The
Comedy of Errors,” the last Shakespeare that Calvin
Theatre Company tackled. However, here the similarities
end. While “Comedy” was a whirlwind of spectacle
and clever insanity, the beauty of “Twelfth Night”
lies not in the center but in the details. In order not
to miss anything, here is a to-do list for the casual
viewer of “Twelfth Night.”
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